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The choir

“For centuries, the cherubic faces of choirboys in white ruffs have been part of church culture”, said the Guardian. Whenever a news report begins by saying that a tradition has endured for centuries you know that tradition is about to die. Sure enough the story which I quote tells of the ending of that aspect of historical Anglican culture in one cathedral at least:

Decision to disband Sheffield cathedral choir strikes discordant note

But is this change progressive or not? The next line of the story lets the hard pressed Guardian reader know what attitude to take:

Choristers usually came from privileged backgrounds, were coached by expert music masters at fee-paying schools attached to cathedrals and churches, and performed exquisite choral music, often in Latin.

Some of that has changed. The first girls were admitted, at Salisbury cathedral, almost 30 years ago and choirs have become more diverse.

Now Sheffield cathedral is going a step further, disbanding its choir in order to make a “completely fresh start” with a new team of choristers that reflects and engages with a changing city.

The cathedral would pursue “a new model for Anglican choral life here, with a renewed ambition for engagement and inclusion”, said a statement on its website.

The population of Sheffield and the surrounding area was growing, getting younger and becoming more diverse. In recent years, the cathedral had welcomed refugees and supported people living on the streets, Bradley said.

“We need to be engaging with people who are part of this changing city. We believe strongly in equality and giving as many children as possible the opportunity to sing at the highest level.”

The appeal of church music was wide but was sometimes “presented in a way that can be seen as elitist”, Bradley said.

That was in late July. Since then this apparently obscure local story about the disbandment of one cathedral choir has been widely reported. These are just a few of many examples:

  • Why is Sheffield Cathedral’s choir being disbanded for ‘inclusivity’? – the Spectator
  • Sheffield Cathedral Choir disbanded in “complete fresh start” for music and diversity – the website of the radio station Classic FM
  • Dean defends disbanding of Sheffield Cathedral ChoirChurch Times
  • Sheffield Cathedral closes choir and looks for new one to reflect urban diversity – the Times
  • Diversity is no reason to scrap Sheffield’s cathedral choir – the Telegraph

    As some of those titles indicate, the decision to close down the Sheffield cathedral choir has angered people who have not been to church for years and would not normally much care for church music. Why has it resonated so widely? I think I know why, and the knowledge depresses me. Until a few months ago I would have said that the UK had done relatively well in promoting an inclusive, non-racial sense of patriotism in which immigrants were seen as “joining the team” and adding their culture to the indigenous culture rather than displacing it. The maiden speech of Kemi Badenoch, my MP, expressed this idea well. “I chose to make the United Kingdom my home”, she says, and speaks of the British Dream: “It is a land where a girl from Nigeria can move here aged sixteen, be accepted as British, and have the great honour of representing Saffron Walden”.

    But that ideal of inclusive patriotism is being eroded by decisions like this one. It is scarcely surprising that white British people begin to see diversity as a threat to their culture when they are told that a part of their culture that has gone on for centuries is to be abolished in the name of diversity.


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